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Finally a DVD transfer of the “Holy Grail” of early widescreen epics.
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This 1930 film directed by Raoul Walsh was intended to accomplish 22 year broken-down Duke Morrison a star.
And indeed it did.
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While John Wayne became a star, this striking ahead-of-its-time 70mm widescreen film was dismissed, forgotten and virtually lost. In the 1980s it was rediscovered and restored but previous DVD releases were only the alternate 4×3 format since most theaters at that time (early 30s) were unable to indicate a widescreen format properly. And most TVs were “square” as well.
Fox publicity says it accurately and simply: “In this sweeping pioneer adventure, a daring young scout (Wayne) leads hundreds of settlers across treacherous cliffs, through brutal snowstorms, Indian attacks and buffalo stampedes to their destiny out West. Along the contrivance, he loses his heart to a dazzling pioneer woman (Marguerite Churchill) and never stops trying to obtain her fancy. Tyrone Power co-stars in this visually spectacular sage.”
Digitally restored and re-mastered from the recent 70mm elements, an alternative full-frame edit is also included in the DVD package.
Extensive extras include:
* Wonderfully detailed commentary with film historian/author Richard Schickel on the 70mm widescreen presentation
* The Creation of John Wayne
* Raoul Walsh: A Man in His Time
* The Tremendous Vision: The Grandeur Process
* The Making of The Mountainous Trail
* Galleries
* Publicity
*Original Posters
*Pressbook Gallery
* Trailers
Not poor at all. It took a while, but Fox is treating this film like it deserves!
This film has been shown on TCM in its lawful aspect ratio. Every time I leer it when channel surfing, I derive sidetracked and stick around. The BW cinematography is blooming and the chronicle is inviting.
On a lot of levels, it was plan ahead of its time in scope and ambition and visual sweep. It is certainly worth seeing not objective as an anomaly of early filmmaking but for the pure entertainment value. Duke Morrison’s performance is confident and charismatic and it is fun to inspect him become “John Wayne” in front of your eyes.
Highly recommended.
This review is for “The Vast Drag” (Widescreen Two-Disc Special Edition)
PLEASE Designate THAT ONCE AGAIN AMAZON HAS LUMPED REVIEWS FOR ALL VERSIONS OF “THE Enormous Flow,” THUS DENIGRATING THIS DVD VERSION!!!
I am baffled as to why reviewers have given the restored 70mm (wide conceal) version of “The Sizable Fling” anything but five stars. As other reviews have indicated, the film was made on the cusp of “talkie” movies and the innovation of William Fox’s 70mm The Grandeur Process that would eventually lead to unusual day wide camouflage format films in 1953–twenty-three years after “The Substantial Amble.” As such, viewers need to hold in mind that the script, filming, and editing were all based, in various degrees, upon the calm film format of filming. Furthermore, this is not really what I would call a “western” by today’s standards, although it clearly is the template for the genre. Nor is is it an action or drama film. Rather, “The Huge Trip” is a restful movie “scramble” that has seldom been repeated in movies with sound: it is, what I pick to call (I have no understanding if there really is such), an Narrative genre film. The “frontier,” the “trudge” and the “memoir” are the movie; not the characters, the plots, or the themes. The history of the film is, as discussed by others, a shadowy one; but hopefully this novel release (2008) of “The Expansive Inch” will vindicate its greatness.
WARNING: If you like “used” westerns, lots of action, drama, or other unique aspects of the western genre, “The Gigantic Hump” will most likely not appeal to you. “The Large Paddle” was made before CGI, wide spread consume of models and stage sets, and standardized props and costumes. Instead, Walsh went for “realism.” And he had the advantage of having both worked as a “cowboy” on cattle drives and spending time with well known American Indian leaders. I cannot status for sure, but I fill that Raul Walsh wanted to re-establish a execrable line for how westerns should be made. “The Tall Skedaddle” was definitely a reliable start; unfortunately the economy and the times were not ready. Even more melancholy, when Hollywood did restart the western genre, they took Raul Walsh’s ideas and crooked them in the “putrid” direction. As such, then, you may want to stick with your favorites or check out “newer versions” of “The Ample Lunge,” such as “How The West Was Won.”
As I stated above, I feel that “The Mountainous Swagger” is the template that started the western genre of movies with sound. In deed, I would argue, that while I ticket it an “Anecdote” genre film, it is the mother of the western genre, and one of the finest “westerns” ever made. The fact that it has not been available in its filmed format until now is most likely why so few–if any other–link subsequent westerns to this film. Most famous of these “innovations” is the exhaust of western settings as an integral component of westerns. “The Colossal Shuffle” majestically displays the beauty and splendor of the west, as Raul Walsh filmed in at least two locations each in Arizona, Montana, and Utah; three locations in Wyoming; five locations (including Sequoia National Park for the conclusion) in California; and one or more sites in Oregon. (Many of the scenes include vistas of over five National Parks) . The entire film was shot on set and on a budget of approximately $2 million dollars! Many of the locations seen in “The Vast Crawl” are not even there today.
Unlike many subsequent movies and television shows about “settlers” going west, “The Mountainous Toddle” actually depicts many (rather than none, one or two) of the good hardships endured in their journeys. The film shows people dying of thirst and other environmental hazards; and while not overtly stated, portrays the fact that more people died from the “elements” than from the one “Indian” attack (which have become the center allotment of newer westerns) . Walsh shows babies–human and animals–being born; couples getting married; spouses and children dying; the elderly dying; and many other aspects of life on the trail–including internal strife. Many of these aspects became templates for future films; others were never–to my knowledge–shown again. For example, it shows the wagons actually being lowered by ropes over cliffs! “The Great Roam” also establishes the types of characters that became central to the western genre–in particular, the rugged individualistic loner; the tough guy. Conversely, I don’t contemplate another western has advance discontinuance to capturing the nature of Tyrone Power Sr.’s character, Red Flack, in costume or portrayal of the “grungy awful guy.” And one cannot ignore the fact that it was Raul Walsh who dared to prefer an unknown “actor” named Duke Morrison, change his name to John Wayne, and cast him as the lead. That 23 year former Wayne doesn’t seem polished to many should be no surprise; rather that Wayne does so well is a legal harbinger of his future in films. Add to this the fact that many of Wayne’s lines were not written (by inquire of of Walsh) but rather elicited by the other character’s lines–often impromptu as well–and I accept Wayne’s performance to be one of his finest! But I know that it will smooth retract many years before Wayne’s critics wake up and seek that he really was a gargantuan actor as well as a mountainous presence on the screen–his personal opinions aside.
Another phenomenal aspect of this movie, which has not really been touched on, is that there were actually four casts–American, German, Spanish and Italian stars–and the film was shot in both 70mm and 35mm (corpulent camouflage at the time) . That means that Walsh had to shot each scene at least four times with two different types of cameras–more cameras if he wanted extra footage. This in itself is astounding, especially given that there were: 1) nearly a thousand Native American actors and extras–including Charles Stevens, a grandson of Geronimo, and Nino Cochise (uncredited), a grandson of Cochise (both Cochise and Geronimo are legendary Chiricahua Apache leaders) ; 2) over 2000 extras; and 3) over 1500 animals (horses, cattle, oxen, pigs, mules, etc.) .
In deed, I would (as a non-trained film critic) not be surprised to stare “The Spacious Travel” compared to, and eventually seen as agreeable to, many of the movie classics. For those who have seen previous releases or the film on television, please rent or grasp this version to delight in the proper version of “The Vast Dash”–I have both. The quality of this DVD, especially given the age and processing that it had to go through is favorable to many “fresh” movies. The bonus material is informative, although the the commentator, film historian/author Richard Schickel, is often biased in his comments and his commentary does have erroneous information (e.g., Moisie is not in Utah, but Montana; and the buffalo scene was filmed there on the Flathead Indian Reservation because the herd was the only broad herd left in 1930) .
Please Note: If this review was not capable to you, I would like learning the reason(s) so I can improve my reviews. My goal is to provide encourage to potential buyers, not rep into any arguments. So, if you only disagree with my view, could you please say so in the comments and not expose that the review was not honorable. Thanks.
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